Indian History, Art & Culture Set 34 Q&A

Hamzanama illustrations were unique because they were: – Executed on a massive, oversized scale directly onto fine cotton cloth canvas (Baasta)
Which European artistic element was systematically adopted by Jahangir’s artists? – A luminous, radiant golden light or halo (Prabhamandal)
Shah Jahan’s studio masters executed profiles by: – Painting the Emperor and high-ranking princes strictly in perfect profile (Ek-chashma) surrounded by wide borders
Which statement correctly maps the stylistic and geographical trajectories of Manaku and Nainsukh? – Manaku anchored the Guler-Basholi transition, while Nainsukh migrated to Jasrota, introducing tender naturalism
Which classical poetic text served as the primary narrative framework for the Basholi School? – Rasamanjari
Which unique Deccani manuscript contains vibrant miniatures illustrating the Tarif-i-Husein Shahi? – A highly political, semi-biographical poem celebrating the military triumphs of King Hussain Nizam Shah I
The Chawand Ragamala set of 1605 was painted by the master Muslim court artist: – Nisardin
Which of the following pairs correctly matches the traditional pigment name with its actual physical source? – Gaupilo (Indian Yellow) — Dried sediment from the urine of cows fed exclusively on mango leaves
Kalighat Patuas innovated the use of: – A highly advanced, gradated wash of dark, water-soluble graphite or ink shading along interior borders
A diagnostic technical feature of an authentic Tanjore painting is: – The execution of heavy, raised relief work using gesso paste, overlaid with 22-karat gold leaf
The doctrine of Asat-karyavada asserts that: – The effect is an entirely new, independent creation that does not pre-exist in the cause
According to Samkhya’s Sat-karyavada, how is the creation of the material cosmos explained? – Creation is simply the actual, real transformation (Parinama) of the cause into the effect
How do Samprajnata and Asamprajnata Samadhi differ epistemologically? – Samprajnata maintains a conceptual anchor, whereas Asamprajnata is non-cognitive, objectless reflection
Pragabhava corresponds to: – The non-existence of an object before its actual physical creation
Prabhakara championed Anvitabhidhanavada, which posits that: – Individual words only communicate meaning as already connected to an action within an injunctive sentence
Which level corresponds to Pratibhasika Satta? – The subjective, purely illusory, apparent reality experienced during dreams or optical illusions
What does Aprathaksiddhi signify? – An internal, inseparable relation wherein souls and matter act permanently as the dependent qualities of the Divine
Which is NOT one of the five canonical differences of Dvaita? – The difference between the unmanifested Brahman and the manifested Maya
Which link represents the absolute root cause in the Dvadasa Nidana? – Avidya (Ignorance)
The 14 progressive stages of spiritual purification in Jainism are known as: – Gunasthanas
Charvaka rejected Verbal Testimony (Shabda) primarily by arguing that: – Its absolute reliability cannot be proven without circular logic or inference
Ajivika atomic physics asserted that elements combine through: – A fixed, immutable, unchangeable structural blueprint governed by Fate
Sautrantika championed Bahya-anumeya-vada, which argues that: – We directly perceive mental representations of objects, from which we infer external reality
Which types of Jain knowledge are classified as Pratyaksha (Immediate)? – Avadhi, Manahparyaya, and Kevala
A miniature executed in Nim Qalam is distinctly characterized by: – Fine monochrome ink drawings with thin transparent washes highlighting lines
Nandalal Bose’s nationalist pedagogical model required students to: – Live in harmony with nature, sketch tribal life, and use local dyes
A highly celebrated 7th-century Pallava structural mural of Parvati survives inside the: – Talagirisvara Temple at Panamalai
Ibrahim Adil Shah II’s Ragatalamala synthesized: – Raga melodies, Talas, and poetry into continuous visual landscapes
Which specific Klesha represents Abhinivesha? – The instinctive cling to physical life and fear of death
The shift from rigid Jain profiles to Kangra’s soft outlines represents a transition from: – Shanta Rasa to Shringara and Bhakti Rasas

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Indian History, Art & Culture Set 34

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Indian History, Art & Culture Set 34

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