Indian History, Art & Culture Set 21 | MROY Class

Indian History, Art & Culture Set 21

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πŸ“Œ Quick Summary β€” Indian Art & Culture

  • Dance Treatises: Pratyanga classifies intermediate limbs like shoulders (Abhinaya Darpan).
  • Natya Shastra: Sattvika Abhinaya governs involuntary, authentic psychological manifestations.
  • Bharatnatyam: The Shabdam directly precedes the Varnam in a solo Margam. Mandi Adavu involves a sharp leap from an Araimandi posture.
  • Kathak: Banaras Gharana uses Natwari Bol & left/right Chakkars. Tihai is a rhythmic sequence ending strictly on the Sam beat.
  • Odissi: Tribhangi posture features three distinct S-shaped anatomical bends. Abhinaya Chandrika (16th C) codified Odissi postures.
  • Kathakali: Pacha (green) represents noble/divine kings. Kathi adds a red mustache & white knob denoting arrogant, noble lineage.
  • Kuchipudi: Tarangam is the virtuosic brass plate/pot balancing showcase.
  • Manipuri: Pung Cholom is the acrobatic masculine drum dance. Choreography follows fluid Nagabandha Mudra curves.
  • Mohiniyattam: Andolika movements imitate swaying palm leaves. Irayimman Thampi composed intricate Padams for it.
  • Sattriya: Gayan-Bayan is the preliminary invocation dance sequence.
  • Chhau & Gotipua: Mayurbhanj Chhau omits masks entirely. Gotipua features young boys preserving ancient Odissi Bandha Nrutya.
  • Folk Dances: Kalbelia (Rajasthan), Rouf (Kashmir), Bagurumba (Bodos/Assam), Giddha (Punjab), Dalkhai (Western Odisha).
  • Martial Arts: Chholiya is from Kumaon. Kamsale honors Lord Mahadeshwara in Karnataka. Sarit Sarak is unarmed Thang-Ta. Mardani Khel uses the corded Vita spear. Gatka practices with the Soti. Kuttu Varisai is unarmed Silambam. Pari-Khanda (Bihar) means Shield and Sword.
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